We do not see the orchestra. Add to Watchlist. Having begun his career as a performance artist, Gordon has produced a diverse body of works, which has grown to include video, sound photographic objects, and texts, often plays with viewers’ perceptions, memories and expectations. He completed a Bach-elor of Arts at the Glasgow School of Art in 1988 and postgradu-ate study at the Slade School of Fine Art in London in 1988 – 90. Biography and art, auction, artworks, interview, statement, website: Douglas Gordon. , an installation of more than eighty text-based works, opened at Tate Britain, London, in 2010. In 2010, Gordon collaborated with Rufus Wainwright, creating the visuals for his tour which accompany Rufus' All Days Are Nights: Songs for Lulu album. Artworks Scotland (2004– ) Rate This. In 1993, he exhibited 24 Hour Psycho in the spaces of Tramway, Glasgow, and at Kunst-Werke Institute for Contemporary Art, Berlin. In each projection the camera circles as the elephant walks around, lies down to play dead and gets up. Memory and repetition are recurring themes in his oeuvre. [3] In Between Darkness and Light (After William Blake) (1997), William Friedkin's Exorcist (1973) and Henry King's The Song of Bernadette (1943) - two films about adolescent girls driven by external forces[4] - are projected on either side of a single free-standing semi-transparent screen so they can be seen simultaneously. In the works of video artist Douglas Gordon – one of the most important “visual artists” of his generation, awarded with the prestigious Turner Prize in 1996 when he was just 30 years old – the timing of movie narration gets twisted by a new device, that modifies its extension, its message, and the perception of the action it encloses. In a way, it is a self-portrait, since we are what we remember. He has achieved huge international recognition, marked by major awards, including the Turner Prize in 1996, and by exhibitions in museums in Europe and America. 30min | Documentary | Episode aired 9 March 2010 Previous All Episodes (22) Next Add a Plot » Stars: Douglas Gordon, Shirley Manson. In 1996, he became the first video artist to win the Turner Prize. [5] The footage showing Minnie’s sequences of tricks is simultaneously presented in a front and a rear life-sized projection and on a monitor, with each one depicting the same event from a range of perspectives, including close-ups of the animal's eyes. Gordon was born in Glasgow and studied at Glasgow School of Art and the Slade School of Fine Art, London. Douglas Gordon makes videos, installations, photographs and text pieces, using both found and original material, in an attempt to lay bare the ambiguities of human life. Cinema Focus Video Art Digimag - Issue 45, June 2009. In one installation, this was placed at the top of a tall building, referencing one of the film's main plot points. The artist attempted to remember everyone he had ever met. Douglas Gordon uses doubles and opposites in his work to question ideas about good and evil, positive and negative, male and female. In 1996, Gordon was one of the artists invited to Skulptur Projekte Münster,[13] and in 1997 he represented Britain at the Venice Biennale. Please consider making a donation or joining our Friends. Jointly owned by the National Galleries of Scotland and Tate, the collection is displayed across the UK. Douglas Gordon (born 20 September 1966) is a Scottish artist; he won the Turner Prize in 1996 and the following year he received the Premio 2000 at the 47th Venice Biennale. [19] Several photographs and video installations are in the Migros Museum for contemporary art in Zürich.,[20] in the Tate collection,[21] National Galleries of Scotland, Musée D'art Moderne de la Ville de Paris[22] as well as many other prestigious collections worldwide. In Through a looking glass (1999), Gordon created a double-projection work around the climactic 71-second scene in Martin Scorsese’s film Taxi Driver (1976), in which the main character addresses the camera; the screens are arranged so that the character seems to be addressing himself. Onto the huge, free-standing screens which form part of the video installation Play Dead, Real Time 2003 images are projected of an elephant acting out an old circus trick: playing dead. From Hollywood films to scientific footage to classical literature, Douglas Gordon takes the seemingly familiar and twists it. Douglas Gordon (born 20 September 1966) is a Scottish artist. From Hollywood films to scientific footage to classical literature, Douglas Gordon… In Phantom (2011), another collaboration with Wainwright, Gordon employs slow-motion film produced with a high-speed Phantom camera focusing on Wainright's eye — blackened with make-up, weeping, and glaring back at the viewer, echoing melodramatic performances by stars of the silent screen.[12]. Mostly, he uses the so-called "found footage", which he produces a minimal intervention worked. The installation Looking down with his black, black, ee 2008 takes its title from a popular Scottish poem about a bird sitting on a treetop, while looking down on a group of children, suggesting foreboding menace. Douglas Gordon is a Scottish artist. By separating the image this way Gordon alludes to the relationship between the body and mind. SC003728), Creative Commons Attribution-ShareAlike License, GENERATION: 25 Years of Contemporary Art in Scotland, Reflections: Art, Life and Love | Identity, GENERATION: 25 Years of Contemporary Art in Scotland | Modern. The Berlin show was curated by Klaus Biesenbach. You will be able to seamlessly ‘Favourite’ images and download large images for personal use. Also in 2006, the Museum of Modern Art (MoMA) in New York showed a retrospective of Gordon's work, called Timeline, which was curated by Klaus Biesenbach. Gesture and facial expression are the only clues we have to what is going on in the conductor’s mind – all except, of course, for the music. The work consists entirely of an appropriation of Alfred Hitchcock's 1960 Psycho slowed down to approximately two frames a second, rather than the usual 24. 1966) visualizes, pictures, and “sculpts” time in many of his works. He lives and works in Berlin, Germany. Douglas Gordon is represented by Gagosian Gallery , London, New York, Beverly Hills, Hong Kong, Rome and Athens, Galerie Eva Presenhuber , Zürich and Dvir Gallery , Tel Aviv. k.364 premiered at the Venice Film Festival in September 2010. He uses techniques of doubling and mirroring in works including Divided Self I and II (1996), a video showing a smooth arm and a hairy arm wrestling. View artworks for sale or loan by Douglas Gordon (British, 1966) on MutualArt and find more works from galleries, museums and auction houses worldwide. Douglas Gordon (Scottish, b. Gordon was born in Glasgow, Scotland. He studied at Glasgow School of Art, 1984 - 1988 and the Slade School of Art, London, 1988 - 1990. Likewise, a work such as Pretty much every film and video work from about 1992 until now. Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License. OVERVIEW ARTWORKS (284) [2] One of his best-known art works is 24 Hour Psycho (1993) which slows down Alfred Hitchcock's film Psycho so that it lasts twenty four hours. (1999), an array of video monitors showing a lifetime of Gordon’s creative achievements, is a series of windows into his mind. To be seen on monitors, some with headphones, others run silently and all simultaneously. [1], Gordon has often reused older film footage in his photographs and videos. He has won numerous awards including the Turner Prize at the Tate Gallery, London in 1996, the Premio 2000 at the XLVII Venice Biennale in 1997, and the Hugo Boss Prize at the Solomon R. Guggenheim Museum, New York in 1998. The feature-length film, which he co-directed with fellow artist Philippe Parreno and assembled from footage shot by seventeen synchronized cameras placed around the stadium in real time over the course of a single match,[9] premiered outside the competition of the 2006 Cannes Film Festival before screenings at numerous international venues. His work investigates ambiguity and the disruption of the normal, accepted ways of seeing the world. Artwork Info Artwork title Pretty much every film and video work from about 1992 until now. He is one of the most successful of contemporary Scottish artists, winning prestigious art prizes in Europe and the United States, including the Turner Prize in 1996. In Gordon’s world nothing is good or evil – but both at the same time. In 24 Hour Psycho (1993), Gordon takes Alfred Hitchcock’s famous 1960 film Psycho and slows it down so that it runs for twenty-four hours. In ‘Seeking Identity’, episode one in our Reflections podcast series, Ewen Bremner introduces a discussion of self image, inviting several guests to explore the idea of self in art. . The ARTIST ROOMS collection contains five important works dating from 1995 to 2010, including a large video installation, three video monitor pieces and a text-based work. Everyone knows the plot of Psycho and can anticipate what will happen, but in Gordon’s version, this is constantly frustrated, since the future never seems to come. About this artwork. He lives and works in Berlin, Germany. He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in 1998. Douglas Gordon is a Scottish photographer and video artist, known for his art installation 24 Hour Psycho, which consists of appropriation of Hitchcock's movie Psycho. In many instances, his artworks directly refer to the site in which they are exhibited, playing with notions of power and its influence on the viewer. Gordon studied at the Glasgow School of Art and the Slade School of Fine Art. [8] Gordon also made a film about Zinedine Zidane, Zidane, un portrait du 21e siècle (2006), an idea first seen in a film by Hellmuth Costard, who, in 1970, made a film about George Best titled Football as Never Before. [email protected]. It is above all, his film projects, the Douglas Gordon have made known. © Studio lost but found / Douglas Gordon / VG Bild-Kunst, Bonn, 2019 Courtesy the artist and kamel mennour, Paris/London In 2008, Gordon was a member of the Official Competition Jury at the 65th Venice International Film Festival. Film Noir (Fly) is a black and white video projection showing a close-up of a fly lying on its back, intermittently twitching its legs but unable to get up. Gordon had begun this move towards exploring the inner world of other people in Feature Film (1999). Gordon works mainly with photography, "lm (both his own and This key work is deceptively simple, but has devastating consequences, exposing the way that memory works in the flow of our consciousness. He trained at Glasgow School of Art and then at Slade School of Art, London. ACCA Education / Douglas Gordon 2 Douglas Gordon was born in Glasgow in 1966 and is one of the most in!uential contemporary video artists. [17][18] The Guggenheim collection also include Through a Looking Glass (1999) and Tattoo (for Reflection) by Gordon. Through his performances, installations, photography, and video art, Gordon readjusts scenes, tinkers with time, and appropriates cultural sources. Added to Watchlist. Registered Address: National Galleries of Scotland, 73 Belford Road, Edinburgh, EH4 3DS National Galleries of Scotland is a charity registered in Scotland (No. [14][15] Another 2006 retrospective was on view at the Kunstmuseum Wolfsburg, Germany, and the Scottish National Gallery of Modern Art, Edinburgh. Two years later Gordon was named a Commandeur dans l’ordre des Arts et des Lettres by the French Republic. The artist Douglas Gordon fixed the fly’s wings to a table top and recorded its struggle until it died. Artwork Info Artwork title Self-Portrait of You + Me (Catherine Deneuve) Artist name Douglas Gordon Date created 2007 Classification photograph Medium burned inkjet print and mirror in artist's frame Dimensions 10 3/8 in. +44 (0)131 624 6200 For general enquiries regarding your visit or gallery services: Important shows have been staged in Frankfurt (2011), Edinburgh and New York (2006), London and Bregenz (2002), Los Angeles (2001), Liverpool and Paris (2000), and Eindhoven (1995). Gordon has produced a large number of text-based works, which often generate a dialogue between the artist and the viewer, who is directly addressed by the text. (26.35 cm x 20 cm) Date Acquired 2014 Credit Collection SFMOMA Gift of Carla Emil and Rich Silverstein Copyright Having begun his career as a performance artist , Gordon has produced a diverse body of works, which has grown to include video, sound photographic objects, and texts, often plays with viewers’ perceptions, memories and expectations. He uses material from the public realm and also creates performance-based videos. Play Dead; Real Time (2003) is co-owned by MMK Frankfurt and Hirschhorn Museum and Sculpture Garden Collection. Founded in 1984, The Turner Prize is awarded annually to the ‘most outstanding contribution’ to British art that took place in the last year. He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in 1998. As a result, it lasts for exactly 24 hours, rather than the original 109 minutes. He teaches at the Städelschule, Frankfurt and lives and works in Berlin and Glasgow. . The two screens are virtually the same size as the elephant. Visit the Frank Lloyd Wright–designed Guggenheim Museum in NYC, part of a UNESCO World Heritage Site. Douglas Gordon: I had nowhere to go. The video work Film Noir (Fly) 1995 – depicting a fly in close-up, fixed to a table top by its wings as it struggles and eventually dies – demonstrates how a simple image can produce complex or even troubling readings. These cover many of Gordon’s recurrent themes such as recognition and repetition, time and memory, authorship and authenticity, as well as dualities such as darkness and light, positive and negative, and the tensions between good and evil. When Shirley Manson Met Douglas Gordon . They should do it every day, and should love what they buy' Mon 17 May 2010 17.20 EDT First published on Mon 17 May 2010 17.20 EDT Douglas Gordon is one of the most prominent British artists of his generation. Presented at the Museum of Contemporary Art Australia for the 19th Biennale of Sydney (2014), Phantom (2011) is one of Douglas Gordon’s most extreme and intense creations; a room brought to the brink of emotion. [16] A survey of his textworks was shown at Tate Britain, London in 2010. Artist name Douglas Gordon Date created 1999 - ongoing Classification video installation Medium multi-channel video installation, black-and-white and color, on monitors Douglas Gordon: Phantom, 11 December 2014 – 17 January 2015. Douglas Gordon and Morgane Tschiember - Untitled Douglas Gordon is a contemporary artist interested in human conditions like memory and the passing of time, themes that he expresses through various media spanning from video, over installation, to text. 24 Hour Psycho is the title of an art installation created by artist Douglas Gordon in 1993. His work often overturns traditional uses of video by playing with time elements and employing multiple monitors. Douglas Gordon’s exhibition ‘The Only Way Out is The Only Way’ is showing at the Australian Centre for Contemporary Art until 3 August, 2014. He has worked in video, photography, sound, text and other media and uses predominantly 'found' material. Gordon is fascinated by our binary nature and our tendency to split things into opposites: black and white, good and evil. In 2005, he put together an exhibition at the Deutsche Guggenheim, Berlin called The Vanity of Allegory. Douglas Gordon follow aGothic, 2019 Tête de corbeau taxidermisée, carafe, pinceau, aquarelle, eau, miroir / Taxidermy raven head, jug, paintbrush, watercolour, water, mirror 36 x 36 x 42cm (14,17 x 14,17 x 16,54 in.) ARTIST ROOMS is a touring collection of over 1,600 works of modern and contemporary art. Memory, loss and rediscovery are the fixed points of the thematic work of Douglas Gordon. Art Forum presented by Douglas Gordon. The small television monitor that forms part of the same installation concentrates on the elephant’s eye. In addition his interest in psychoanalysis led him to explore the complexities of the human mind and especially the nature of schizophrenia. In Zidane: A 21st Century Portrait (2006) – a video installation that Gordon made with Philippe Parreno in 2006 – all the cameras used to make the work are trained on its subject, the footballer Zinedine Zidane, rather than the game itself. [23] His color photograph Monster (1996-7) is in the permanent collection of the Honolulu Museum of Art. Featuring an extensive interview with Douglas Gordon on the process of making his 2016 film I had nowhere to go: Portrait of a displaced person, this video, produced by Berlin Art Link, includes clips of Jonas Mekas and revealing anecdotes about the creation of the film. (1992-), Everyone I Have Ever Slept With 1963–1995, The Physical Impossibility of Death in the Mind of Someone Living, https://en.wikipedia.org/w/index.php?title=Douglas_Gordon&oldid=1000775067, BLP articles lacking sources from October 2017, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, 2018: Elected a Corresponding Fellow of the, This page was last edited on 16 January 2021, at 17:25. His Blind Stars (2002) featured publicity photographs of mid-century movie stars in which the sitters' eyes were replaced by expressionless black, white or mirrored surfaces.[11]. Kunst-Werke Institute for Contemporary Art, Learn how and when to remove this template message, Museum Hosts '24 Hour Psycho' -- Literally, At MoMA, Douglas Gordon: The Hourglass Contortionist, Douglas Gordon: 'Through a Looking Glass', ART IN REVIEW; Douglas Gordon; Franz West, Douglas Gordon: self-portrait of you + me, after the factory, 31 October – 15 December 2007, "New" Museum of Modern (Contemporary) Art, Douglas Gordon: Fog, 4 November – 23 December 2004, "Migros Museum für Gegenwartskunst–Werke in der Sammlung", "Collections en ligne | Musée d'Art Moderne de la Ville de Paris", "Search Result Details - Hirshhorn Museum and Sculpture Garden | Smithsonian", "Research on Contemporary Artists - haaedu.org", Turner Prize 1996 artists: Douglas Gordon, Roswitha Haftmann Prize Goes to Video Artist Douglas Gordon, "Professor Douglas Gordon CorrFRSE - The Royal Society of Edinburgh", Review of "what you want me to say..." exhibition in Barcelona, "Pretty much every film and video work from about 1992 until now. Douglas Gordon is a Scottish artist who creates work that questions the complexities of memory and perception. He lives and works in Berlin, Germany. Gordon took part in the Biennale of Sydney 2014 and Documenta 17. In that work he concentrated his camera on the hands and face of a conductor. In 2006, Douglas Gordon Superhumanatural opened at the National Galleries of Scotland complex in Edinburgh, being Gordon's first major solo exhibition in Scotland since he presented 24 Hour Psycho in 1993. He … By registering in the website you will be able to access extra free functionality. He lives and works in Berlin, Germany. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Gordon's first solo show was in 1986. An Art Forum special lecture, part of the 10th Biennale of Sydney Outreach Program Summary: Douglas Gordon is a Scottish artist featured in the Biennale of Sydney. 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